| LM |
What do you think sets
MARILYN: FOREVER BLONDE apart from previous stage productions
about Marilyn Monroe? |
| ST |
Most stage shows or films about
Marilyn have scripts with words writers “think” Marilyn would
say. The MARILYN: FOREVER BLONDE script is made up
entirely of Marilyn Monroe’s own words and all 17 songs are songs
she performed in her films. I think this gives the play a strong
sense of authenticity that I believe is important when you’re
dealing with such an iconic figure.
|
| LM |
For any actress the
script is crucially important. No matter how good you look/act –
if the right words are not there nothing can save the performance
– so bearing this in mind – how did you feel when you first read
the script?
|
| ST |
When I first
read the script I immediately said, “It’s great but not for me!
No woman should have to be compared to Marilyn Monroe!” Then
after my husband, Greg Thompson, who incidentally wrote the
script, finally “nagged me” into doing the play I began to do some
research. It didn’t take long before I was enchanted and
captivated by Marilyn’s story. I then found myself becoming very
protective of her, possibly because I started to have some
understanding of the pain and frustration Marilyn experienced in
her short meteoric rise to fame! For me the script was more a
woman’s struggle for love and recognition in a man’s world than a
look at a Hollywood movie star’s career.
|
| LM |
I know that Jimmy James was
responsible for your Marilyn makeup – how did you feel the first
time he worked his magic and you looked in the mirror? |
| ST |
Jimmy James is truly
amazing. I love him to death and cannot thank him enough for his
contribution to the look of this play. The first make-up session
was for a photo shoot. We had a photographer ready to go and
Jimmy was creating. It took 8 hours to do my make-up the first
time but it was worth it! The photos turned out beautiful, if I
do say so myself, thanks to Jimmy and the photographer, Howard
Petrella. Now it takes me 2 ½ hours to do my make-up for the
stage. Incidentally, Jimmy also coached me on Marilyn’s
mannerisms, her speech patterns, and her walk. I flunked walking
initially but I think I have it down now.
|
| LM |
Often, when I’m
doing something really important in my waking hours it moves into
my dreams – when you’re repeating the same performance time and
time again and running on such high levels of adrenalin – does
this ever happen to you? Do you ever dream about Marilyn? |
| ST |
I don’t dream about Marilyn but I do
think about her often. Knowing so much, I feel I almost know
her. When her very good friend, fashion critic, Mr. Blackwell
came backstage in Hollywood and said, with tears in his eyes, “I
never thought I’d see you again” I got goose bumps and chills! I
often think about the problems and demons Marilyn faced everyday
and I’m thankful I have a husband and a family that loves me for
who I am instead of the person I play on stage!
|
| LM |
Your costumes for the show are
stunning – have you ever had the opportunity to wear anything that
once belonged to Monroe? |
| ST |
My costumes in the
play are wonderful but because I do all my costume changes on
stage, in front of the audience, they are pretty easy to slip on
and off. I don’t think I could be “sewn into a dress” every
performance! I did however get to wear one of Marilyn’s actual
dresses. Greg Schreiner, President of the Marilyn Remembered Fan
Club in Hollywood invited me to his home to see his collection,
which is absolutely amazing. Greg has many of Marilyn’s dresses
and he let me pick one out to try on. It was the silver lame
number she wore to the Golden Globe Awards. Greg had only seen
her dresses on mannequins, which don’t have many curves, so when I
filled out the dress (fit perfectly I’m proud to say) he was so
excited. It was an amazing thrill. Marilyn and I are exactly the
same height and I put on 10 pounds to get a few more curves.
Jimmy James said I was too “hard-bodied” to play Marilyn. So we
went out for ice cream and then he taught me to walk like MM...a
woman who knew what to do with those curves.
|
| LM |
Since you have been
engaged in this project has it made you want to own any Marilyn
items? If yes – what would you like to own? If no… why not?
|
| ST |
I don’t own anything of Marilyn’s but
at one show a Korean veteran told me he saw Marilyn on her USO
tour of Korea in 1952. His platoon had a pin, only members of the
unit were allowed to wear and he said they loved Marilyn so much
that they voted the night after her performance to send her a pin
and make her their only honorary member. The next day his platoon
went on a mission into enemy territory, they were ambushed and
many of his men were killed. He was one of the few survivors. He
said he had Marilyn’s pin at home and he wanted to send it to me.
When I received it I cried. It was very special.
If
I could own something of Marilyn’s... it would be her house or her
apartment. Someplace she felt safe and comfortable.
|
| LM |
What do you most
like about Monroe? |
| ST |
I love her sense of humor!!! She was
very funny, clever and witty. I especially enjoy the talent she
had for turning a phrase. The play is full of Marilyn’s humor even
in the saddest of times she finds something humorous about the
situation. I admire her for that!
|
| LM |
Is there anything you have
learned about Marilyn that you don’t like? |
| ST |
Wow!
Tough question! Things were so much different for women back in
the 40’s and 50’s. It was a man’s world and a woman had to do,
what she had to do to get ahead, if she wanted to compete. I
guess I could say I don’t like the fact she and Joe didn’t get
back together because I think he really loved her and had learned
his lesson. I think she might have had a chance for happiness the
second time around with Joe.
|
| LM |
When you first embarked on the
research for part and began reading – did anything you learned
about Marilyn surprise or shock you, or change your previous
opinion of her? |
| ST |
Truthfully I didn’t
know much about Marilyn Monroe when I started this project. I
knew she was a beautiful movie star who died too young and there
was tragedy in her personal life. She surprised me in so many
ways. How smart she was. She was a career woman of the 50’s who
created her own image then did what she had to do to develop and
sell it. That surprised me! I admire her marketing genius and how
deeply she cared about everything she took on in her
life...modelling. Acting, husbands, step children, pets, poetry
etc. I am often asked why I think the world has such a fascination
with Marilyn. I think it’s the sense of caring we see in her
eyes in photographs... a promise that she would care about you and
accept you as you are...she would be your friend. I never tire
of looking at photographs of Marilyn, which surprises me. I love
nothing more than to discover a new photograph of her. What I
find shocking is how she loved to shock people, just to
make sure they were paying attention. She could be a bit of a
brat at times...that makes me giggle and love her all the more.
|
| LM |
Out of the excess of 250 books
that you read on Marilyn, was there any one book in particular
that became your favourite and why? |
| ST |
Actually, there are
five. The Maurice Zolotow biography “Marilyn”. Because he knew
her and it was written when she was alive. She was said to have
read it and although she wasn’t thrilled, she didn’t disapprove.
“Will Acting Ruin Marilyn’s Success”
by Peter Martin. Again, written during her lifetime, offers a
clear perspective of what stereotypes Marilyn faced being a woman
of the 1950’s in a man’s world. It was also interesting to
realize the magnitude of her fame in her day.
Lena Pepitone’s book “Marilyn Monroe
Confidential”. Not for facts, but for the glimpse it provides
into Marilyn’s daily life in her apartment in New York.
Bert Stern’s “The Last Sitting” and
Douglas Kirkland’s “An Intimate Evening With Marilyn”. These
books are based on photo sessions that inspired the set of our
play and it is here that Marilyn tells her story in Marilyn
Forever Blonde.
|
| LM |
Conversely, were there any
particular books you really disliked? |
| ST |
Lots of
them! The ones with the made up stories, filled with speculation
and untruths. I used to get mad about it but now I just put them
on the shelf with the rest of my Marilyn library.
|
| LM |
How long does it
take you, before you go on stage to get into the ‘feel’ of the
character? How long are you in makeup, hair and wardrobe for? |
| ST |
Like I said, it takes 2 1/2 hours in
makeup and I spend the entire time listening to Frank Sinatra
music from the 50’s and 60’s. I have a custom made wig made every
six months in Hollywood. The microphone and battery pack fit in
my wig, which works well as there is no place to hide the battery
pack during costume changes on stage. I open the play on a bed
draped in a sheet...so wardrobe doesn’t require anytime at all.
|
| LM |
Are you, or have you
ever been, a member of any the numerous Marilyn fan clubs or
online groups? |
| ST |
I am on Face book, which has been a
wonderful way to network with many, many Marilyn fans and fan
clubs. I feel a certain kinship to people who are fellow fans.
When at all possible I make every effort the meet the fans after
the play. Although it takes about 30 minutes for me to
regroup...so there is a bit of a wait, but if they wait I’m
thrilled to meet them.
|
| LM |
Have you visited any key
Marilyn sites? Such as her home in Brentwood, her crypt etc?
|
| ST |
We were in Calgary
with the play this past year and we were invited to The Banff
Springs Hotel to see where Marilyn stayed and where they shot “The
River of No Return”.
I’ve seen most of the sites in
Hollywood as we opened the play there at The Stella Adler Theatre
in February 2007. Her star directly across the street on
Hollywood Blvd. I saw her crypt, the roof of her Brentwood home,
by standing on the roof of my assistants’ car (the house is
enclosed by a very tall fence) and every house I could find in my
Marilyn address book. Playing Hollywood was an incredible
experience because I got to meet so many people who knew and
worked with Marilyn when they came to our play. Mr. Blackwell of
Hollywood’s Worst and Best Dressed List, Marian Collier and
several girls in the band from “Some Like It Hot”, Stanley Rueben,
Marilyn’s producer on the film “The River of No Return” and many
more. They sat in my dressing room and told me story after story
of their experiences with Marilyn. Stanley Rubin and I went to
lunch at his regular corner booth at Musso & Franks on Hollywood
Blvd. Meeting Greg Schriener, the President of Marilyn Remembered
was a real treat. After he saw the play opening night he invited
his fan club to attend the play and many of them saw it multiple
times. It was fantastic to see Greg’s Marilyn Collection; I’m
quite envious of his collection of MM books.
|
| LM |
In my experience every fan of
Marilyn I know exhibits at least one strong personality trait of
Marilyn’s! Are you able to identify personally with any aspects of
Marilyn’s character/personality? |
| ST |
I’m
never on time! It drives my husband crazy. I love Marilyn’s
line... “People always tell me, you’ve got to get there! Well,
what’s there when you get there!” My husband is often asked,
“What’s it like to sleep with Marilyn Monroe?” and he tells them I
don’t wear the wig or the make-up home to bed so he really
couldn’t say but he says he knows what it’s like to live with
Marilyn Monroe. She’s always late! |
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